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	<title>LiMAC &#187; Lima</title>
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	<link>http://li-mac.org</link>
	<description>Museo de Arte Contemporáneo de Lima</description>
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		<title>Gloria Evaporada (Evaporated Glory)</title>
		<link>http://li-mac.org/exhibitions/temporary/the-fragmented-body-dust-below-the-carpet/works/gloria-evaporada-evaporated-glory/</link>
		<comments>http://li-mac.org/exhibitions/temporary/the-fragmented-body-dust-below-the-carpet/works/gloria-evaporada-evaporated-glory/#comments</comments>
		<pubDate>Sat, 02 Mar 2013 23:06:45 +0000</pubDate>
		<dc:creator>ahenry</dc:creator>
				<category><![CDATA[Body]]></category>
		<category><![CDATA[Installation]]></category>
		<category><![CDATA[Lima]]></category>
		<category><![CDATA[Photography]]></category>
		<category><![CDATA[Protest]]></category>
		<category><![CDATA[Social exclusion]]></category>
		<category><![CDATA[Terrorism]]></category>
		<category><![CDATA[War]]></category>

		<guid isPermaLink="false">http://li-mac.org/?page_id=16966</guid>
		<description><![CDATA[<strong>Eduardo Villanes</strong> <small>(Peru, 1967)</small>
1995
re-print 2010. Folder 9 of 10.
10 photographs. 
28 x 35.5 cm.
/
Silkscreen on cardboard boxes
29.5 x 51x 0.4 cm (opened)
Edition 400 aprox
/
1994
Grabación en VHS, digitalizado en DVD.
: 2’26”

<small>[link url="http://www.eduardovillanes.com/" text="(Courtesy of the artist)"]</small>]]></description>
			<content:encoded><![CDATA[<p>In June 1994, the remains of 10 people were handed over by the police for their families. Months before they had been kidnapped and murdered by a paramilitary squad then burnt with kerosene to prevent identification. In an act of contempt the remains were delivered in cardboard boxes, most from the milk bran <em>Gloria</em>.</p>
<p>On 14 June 1995, the dictatorship of Alberto Fujimori enacted the Amnesty Act, the military tried for this and other crimes get out of jail. At dawn on 17 June I pasted the collage &#8220;evaporated&#8221; in the Expressway, opposite the National Stadium, with spray adhesive.</p>
<p>On June 23<sup>rd</sup> called a performance on the occasion of the National March Against Impunity. I put one of the boxes on my head and handed out flyers to invite people do the same and go to Congress, where the amnesty law was declared. The flyer denounced &#8220;the state industry to evaporate people.&#8221; The march lasted several hours, arriving at dusk near Congress. A police cordon blocked us and we threw the boxes on their heads, they kicked them out and unintentionally brought the boxes closer to Congress.</p>
<p>Previously, in October 1994, I exhibited the installation &#8220;Evaporated Gloria&#8221; (Glory Evaporated) at the Art School of the Faculty of Arts and Human Sciences at the National University of San Marcos. The invitation to the exhibition were silkscreen prints on pieces of Gloria cardboard milk.</p>
<p>During the opening night of the exhibition a group of artists improvised a ritual, which was spontaneously joined by the audience, that of which become recorded on video.</p>
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		</item>
		<item>
		<title>Lima*PERÚ III</title>
		<link>http://li-mac.org/collections/courtesy-of-the-artist/gilda-mantilla/work/limaperu-iii/</link>
		<comments>http://li-mac.org/collections/courtesy-of-the-artist/gilda-mantilla/work/limaperu-iii/#comments</comments>
		<pubDate>Tue, 20 Nov 2012 20:26:58 +0000</pubDate>
		<dc:creator>ahenry</dc:creator>
				<category><![CDATA[Architecture]]></category>
		<category><![CDATA[City]]></category>
		<category><![CDATA[Housing]]></category>
		<category><![CDATA[Landscape]]></category>
		<category><![CDATA[Lima]]></category>
		<category><![CDATA[Night]]></category>
		<category><![CDATA[Peru]]></category>
		<category><![CDATA[Photography]]></category>
		<category><![CDATA[Sea]]></category>
		<category><![CDATA[Souvenir]]></category>
		<category><![CDATA[Tourism]]></category>
		<category><![CDATA[Urbanism]]></category>

		<guid isPermaLink="false">http://li-mac.org/?page_id=15337</guid>
		<description><![CDATA[<strong>Gilda Mantilla</strong> <small>(Peru, 1967)</small>
2006
Offset priint
20 x 15 cm each
Edition of 4500 postcards from 9 diferent models 

<small>In-Fusion at Cervantes Institute. Berlin, Germany</small>
<small> [link url="http://www.bazarbambi.org/menu/menu.htm" text="(Courtesy of the artist)"]</small>]]></description>
			<content:encoded><![CDATA[<strong>Gilda Mantilla</strong> <small>(Peru, 1967)</small>
2006
Offset priint
20 x 15 cm each
Edition of 4500 postcards from 9 diferent models 

<small>In-Fusion at Cervantes Institute. Berlin, Germany</small>
<small> [link url="http://www.bazarbambi.org/menu/menu.htm" text="(Courtesy of the artist)"]</small>]]></content:encoded>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Socio-territorial Determinations: tower</title>
		<link>http://li-mac.org/collections/courtesy-of-the-artist/santiago-roose/work/socio-territorial-determinations-tower/</link>
		<comments>http://li-mac.org/collections/courtesy-of-the-artist/santiago-roose/work/socio-territorial-determinations-tower/#comments</comments>
		<pubDate>Tue, 25 Sep 2012 10:27:16 +0000</pubDate>
		<dc:creator>ahenry</dc:creator>
				<category><![CDATA[Architecture]]></category>
		<category><![CDATA[Installation]]></category>
		<category><![CDATA[Lima]]></category>
		<category><![CDATA[Sculpture]]></category>

		<guid isPermaLink="false">http://li-mac.org/?page_id=14457</guid>
		<description><![CDATA[<strong>Santiago Roose</strong> <small>(Peru, 1974)</small>
2011
Sculptural installation

<small>[link url="http://santiagoroose.blogspot.com.es/" text="(Courtesy of the artist)"]
[link url="http://edihirose.wix.com/foto" text="Photo by Edi Hirose"]</small>]]></description>
			<content:encoded><![CDATA[<strong>Santiago Roose</strong> <small>(Peru, 1974)</small>
2011
Sculptural installation

<small>[link url="http://santiagoroose.blogspot.com.es/" text="(Courtesy of the artist)"]
[link url="http://edihirose.wix.com/foto" text="Photo by Edi Hirose"]</small>]]></content:encoded>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Types of Lima</title>
		<link>http://li-mac.org/collections/courtesy-of-the-artist/miguel-aguirre/work/types-of-lima/</link>
		<comments>http://li-mac.org/collections/courtesy-of-the-artist/miguel-aguirre/work/types-of-lima/#comments</comments>
		<pubDate>Mon, 24 Sep 2012 17:47:57 +0000</pubDate>
		<dc:creator>ahenry</dc:creator>
				<category><![CDATA[Labor]]></category>
		<category><![CDATA[Lima]]></category>
		<category><![CDATA[Painting]]></category>
		<category><![CDATA[Portrait]]></category>

		<guid isPermaLink="false">http://li-mac.org/?page_id=14390</guid>
		<description><![CDATA[<strong>Miguel Aguirre</strong> <small>(Peru, 1973)</small>
2012
Oil on paper
50 x 35 cm.

<small>[link url="http://miguelaguirre.com/home" text="(Courtesy of the artist)"]</small>]]></description>
			<content:encoded><![CDATA[<strong>Miguel Aguirre</strong> <small>(Peru, 1973)</small>
2012
Oil on paper
50 x 35 cm.

<small>[link url="http://miguelaguirre.com/home" text="(Courtesy of the artist)"]</small>]]></content:encoded>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>430 People paid 30 Soles per Hour</title>
		<link>http://li-mac.org/collections/courtesy-of-the-artist/santiago-sierra/works/430-people-paid-30-soles-per-hour/</link>
		<comments>http://li-mac.org/collections/courtesy-of-the-artist/santiago-sierra/works/430-people-paid-30-soles-per-hour/#comments</comments>
		<pubDate>Mon, 17 Sep 2012 14:02:43 +0000</pubDate>
		<dc:creator>ahenry</dc:creator>
				<category><![CDATA[Black and White]]></category>
		<category><![CDATA[Body]]></category>
		<category><![CDATA[Institution]]></category>
		<category><![CDATA[Lima]]></category>
		<category><![CDATA[Peru]]></category>
		<category><![CDATA[Photography]]></category>

		<guid isPermaLink="false">http://li-mac.org/?page_id=13941</guid>
		<description><![CDATA[<strong>Santiago Sierra</strong> <small>(Spain, 1966)</small>
2001

<small>Galería Pancho Fierro, Lima, Peru</small>

<small>[link url="http://www.santiago-sierra.com/" text="(Courtesy of the artist)"]</small>]]></description>
			<content:encoded><![CDATA[<p>This is a version of the piece produced in Mexico City’s Museo Rufino Tamayo in 1999. Here, the Galería Pancho Fierro, dependent on Lima City Council, was filled with women, leaving a one-meter aisle for spectators. Unlike the Mexican work, the women looked directly at the public. They were paid approximately $8 or 30 new Peruvian soles for four hours’ work. The piece used women from the Programa Vaso de Leche Glass of Milk Program, an association of women set up by Lima Town Council to channel the distribution of staple foods amongst the most underprivileged section of Lima’s society. In return, these women fill the public events as required.</p>
]]></content:encoded>
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		<slash:comments>0</slash:comments>
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