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	<title>LiMAC &#187; Sculpture</title>
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	<link>http://li-mac.org</link>
	<description>Museo de Arte Contemporáneo de Lima</description>
	<lastBuildDate>Fri, 14 Jun 2013 14:29:35 +0000</lastBuildDate>
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		<title>Artemis (Big)</title>
		<link>http://li-mac.org/exhibitions/permanent/dare-dovidjenko/mare-misterium/artemis-big/</link>
		<comments>http://li-mac.org/exhibitions/permanent/dare-dovidjenko/mare-misterium/artemis-big/#comments</comments>
		<pubDate>Tue, 11 Jun 2013 10:55:39 +0000</pubDate>
		<dc:creator>ahenry</dc:creator>
				<category><![CDATA[Antiquity]]></category>
		<category><![CDATA[Black and White]]></category>
		<category><![CDATA[Drawing]]></category>
		<category><![CDATA[Portrait]]></category>
		<category><![CDATA[Sculpture]]></category>

		<guid isPermaLink="false">http://li-mac.org/?page_id=17171</guid>
		<description><![CDATA[<strong>Dare Dovidjenko</strong> <small>(Croatia, 1949)</small>
2010
Charcoal and pastel on paper
203 x 120 cm. 

<small>(Courtesy of the artist)</small>]]></description>
			<content:encoded><![CDATA[<strong>Dare Dovidjenko</strong> <small>(Croatia, 1949)</small>
2010
Charcoal and pastel on paper
203 x 120 cm. 

<small>(Courtesy of the artist)</small>]]></content:encoded>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>23 Bodies</title>
		<link>http://li-mac.org/exhibitions/temporary/the-fragmented-body-dust-below-the-carpet/works/23-bodies/</link>
		<comments>http://li-mac.org/exhibitions/temporary/the-fragmented-body-dust-below-the-carpet/works/23-bodies/#comments</comments>
		<pubDate>Sun, 03 Mar 2013 18:04:04 +0000</pubDate>
		<dc:creator>ahenry</dc:creator>
				<category><![CDATA[Body]]></category>
		<category><![CDATA[Cloths]]></category>
		<category><![CDATA[Death]]></category>
		<category><![CDATA[Mexico]]></category>
		<category><![CDATA[Sculpture]]></category>
		<category><![CDATA[Social exclusion]]></category>

		<guid isPermaLink="false">http://li-mac.org/?page_id=16961</guid>
		<description><![CDATA[<strong>Teresa Margolles</strong> <small>(Mexico, 1963)</small>
2010
Autopsy strings from people murdered by narcotrafic in Guadalajara
Various dimensions

<small>(Courtesy of the artist / Photos Oak Taylor-Smith)"</small>]]></description>
			<content:encoded><![CDATA[<p>A line made out of pieces of thread united together. The threads are the rest of those used in an autopsy to sew the body, they are the leftover piece, the ones that passed through the whole body, top to bottm. Each thread belonged to a body</p>
]]></content:encoded>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>(R)egal I (Shelf / whatever)</title>
		<link>http://li-mac.org/exhibitions/temporary/the-fragmented-body-dust-below-the-carpet/works/regal-i-shelf-whatever/</link>
		<comments>http://li-mac.org/exhibitions/temporary/the-fragmented-body-dust-below-the-carpet/works/regal-i-shelf-whatever/#comments</comments>
		<pubDate>Sun, 03 Mar 2013 17:48:02 +0000</pubDate>
		<dc:creator>ahenry</dc:creator>
				<category><![CDATA[Animal]]></category>
		<category><![CDATA[Architecture]]></category>
		<category><![CDATA[Body]]></category>
		<category><![CDATA[Container]]></category>
		<category><![CDATA[Family]]></category>
		<category><![CDATA[Food]]></category>
		<category><![CDATA[Furniture]]></category>
		<category><![CDATA[Installation]]></category>
		<category><![CDATA[Light]]></category>
		<category><![CDATA[Religion]]></category>
		<category><![CDATA[Sculpture]]></category>
		<category><![CDATA[Still life]]></category>
		<category><![CDATA[Urbanism]]></category>

		<guid isPermaLink="false">http://li-mac.org/?page_id=16981</guid>
		<description><![CDATA[<strong>Manfred Pernice</strong> <small>(Germany, 1963)</small>
2010 
Mixed media
140 x 107 x 20 cm.

<small>[link url="http://www.schwarzwaelder.at/" text="(Courtesy Gallery Nächst St. Stephan, Vienna)"]</small>]]></description>
			<content:encoded><![CDATA[<p><em>(R)egal I </em>is a container of containers. Overall the work stresses the sculptural problematic of mobility and stillness (A sketch of the sculpture of crucifixion of Anton Hannak and the sculpture of the <em>Walking Man</em> by Fritz Wortuba are alluded to). It is through limits and structures of containers that movement finds its way from space to space. Overall, the work refers to the habitat of animals that live in modern cities (Cats, dogs, mice, rats). For example it shows the holes made by rats who ate and passed through a box of powdered milk. Among other things, the work focuses on the mobility of containers and their contents (a can of Russian squid) and establishes parallels with a postacrd of Saint Francis preaching to the wolf and other of a Giotto painting where San Francis talks to the birds.</p>
]]></content:encoded>
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		</item>
		<item>
		<title>This Part of Every Shoe is Good</title>
		<link>http://li-mac.org/exhibitions/temporary/the-fragmented-body-dust-below-the-carpet/works/this-part-of-every-shoe-is-good/</link>
		<comments>http://li-mac.org/exhibitions/temporary/the-fragmented-body-dust-below-the-carpet/works/this-part-of-every-shoe-is-good/#comments</comments>
		<pubDate>Sat, 02 Mar 2013 23:23:02 +0000</pubDate>
		<dc:creator>ahenry</dc:creator>
				<category><![CDATA[Cloths]]></category>
		<category><![CDATA[Edition]]></category>
		<category><![CDATA[Ready Made]]></category>
		<category><![CDATA[Sculpture]]></category>

		<guid isPermaLink="false">http://li-mac.org/?page_id=16972</guid>
		<description><![CDATA[<strong>Huang Yong Ping</strong> <small>(China, 1954)</small>
1986-2008
Shoes, metal and gesso
Edition 30 / 100

<small>(Photo Oak Taylor-Smith)</small>]]></description>
			<content:encoded><![CDATA[<p>A pair of shoes faces the wall. They are cut in half and filled with gesso. The content of the shoe is replaced with a material to build walls. The function of the shoe has been canceled for no feet fits in. The other half of the shoe seems to have been absorbed by the wall and gives the presence of an invisible body that faces a white wall, as if punished or escaping the content of the room.</p>
]]></content:encoded>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Wall III</title>
		<link>http://li-mac.org/exhibitions/temporary/the-fragmented-body-dust-below-the-carpet/exhibition-views/wall-iii/</link>
		<comments>http://li-mac.org/exhibitions/temporary/the-fragmented-body-dust-below-the-carpet/exhibition-views/wall-iii/#comments</comments>
		<pubDate>Sat, 02 Mar 2013 17:05:40 +0000</pubDate>
		<dc:creator>ahenry</dc:creator>
				<category><![CDATA[Body]]></category>
		<category><![CDATA[Cloths]]></category>
		<category><![CDATA[Exhibition view]]></category>
		<category><![CDATA[Furniture]]></category>
		<category><![CDATA[Painting]]></category>
		<category><![CDATA[Sculpture]]></category>

		<guid isPermaLink="false">http://li-mac.org/?page_id=16914</guid>
		<description><![CDATA[<strong>The Fragmented Body: Dust Below the Carpet</strong>
LiMAC in Madrid 15 - 22 / 02 / 2013

<small> [link url="http://www.oaktaylorsmith.com/" text="(Photo by Oak Taylor-Smith)"]</small>]]></description>
			<content:encoded><![CDATA[<p>From left to right: Teresa Margolles, Elvira Poxon, Gina Arizpe and Elvira Poxon.</p>
]]></content:encoded>
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