{"id":17111,"date":"2013-06-10T11:28:26","date_gmt":"2013-06-10T11:28:26","guid":{"rendered":"http:\/\/li-mac.org\/?page_id=17111"},"modified":"2014-01-15T12:54:18","modified_gmt":"2014-01-15T12:54:18","slug":"the-basements","status":"publish","type":"page","link":"https:\/\/li-mac.org\/es\/exhibitions\/permanent-exhibition\/a-clear-unreality\/split-times\/the-basements\/","title":{"rendered":"Los s\u00f3tanos"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"<p><strong>Dare Dovidjenko<\/strong> <small>(Split, Croacia, 1949)<\/small><br \/>\n2005<br \/>\n\u00d3leo sobre tela<br \/>\n135 x 262 cm.<\/p>\n<p><small>(Cortes\u00eda del artista)<\/small><\/p>\n","protected":false},"author":2,"featured_media":17100,"parent":17141,"menu_order":78,"comment_status":"open","ping_status":"open","template":"image.php","meta":{"footnotes":""},"class_list":["post-17111","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/li-mac.org\/es\/wp-json\/wp\/v2\/pages\/17111","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/li-mac.org\/es\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/li-mac.org\/es\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/li-mac.org\/es\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/li-mac.org\/es\/wp-json\/wp\/v2\/comments?post=17111"}],"version-history":[{"count":8,"href":"https:\/\/li-mac.org\/es\/wp-json\/wp\/v2\/pages\/17111\/revisions"}],"predecessor-version":[{"id":20129,"href":"https:\/\/li-mac.org\/es\/wp-json\/wp\/v2\/pages\/17111\/revisions\/20129"}],"up":[{"embeddable":true,"href":"https:\/\/li-mac.org\/es\/wp-json\/wp\/v2\/pages\/17141"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/li-mac.org\/es\/wp-json\/wp\/v2\/media\/17100"}],"wp:attachment":[{"href":"https:\/\/li-mac.org\/es\/wp-json\/wp\/v2\/media?parent=17111"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}