{"id":17229,"date":"2013-06-12T10:56:44","date_gmt":"2013-06-12T10:56:44","guid":{"rendered":"http:\/\/li-mac.org\/?page_id=17229"},"modified":"2013-06-23T18:19:12","modified_gmt":"2013-06-23T18:19:12","slug":"the-shadow","status":"publish","type":"page","link":"https:\/\/li-mac.org\/es\/exhibitions\/permanent-exhibition\/a-clear-unreality\/split-times\/the-shadow\/","title":{"rendered":"La sombra"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"<p><strong>Dare Dovidjenko<\/strong> <small>(Split, Croacia, 1949)<\/small><br \/>\n2005<br \/>\n\u00d3leo sobre tela<br \/>\n71 x 43 cm. <\/p>\n<p><small>(Cortes\u00eda del artista)<\/small><\/p>\n","protected":false},"author":2,"featured_media":17205,"parent":17141,"menu_order":102,"comment_status":"open","ping_status":"open","template":"image.php","meta":{"footnotes":""},"class_list":["post-17229","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/li-mac.org\/es\/wp-json\/wp\/v2\/pages\/17229","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/li-mac.org\/es\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/li-mac.org\/es\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/li-mac.org\/es\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/li-mac.org\/es\/wp-json\/wp\/v2\/comments?post=17229"}],"version-history":[{"count":6,"href":"https:\/\/li-mac.org\/es\/wp-json\/wp\/v2\/pages\/17229\/revisions"}],"predecessor-version":[{"id":17531,"href":"https:\/\/li-mac.org\/es\/wp-json\/wp\/v2\/pages\/17229\/revisions\/17531"}],"up":[{"embeddable":true,"href":"https:\/\/li-mac.org\/es\/wp-json\/wp\/v2\/pages\/17141"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/li-mac.org\/es\/wp-json\/wp\/v2\/media\/17205"}],"wp:attachment":[{"href":"https:\/\/li-mac.org\/es\/wp-json\/wp\/v2\/media?parent=17229"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}