{"id":17267,"date":"2013-06-12T15:58:17","date_gmt":"2013-06-12T15:58:17","guid":{"rendered":"http:\/\/li-mac.org\/?page_id=17267"},"modified":"2013-06-23T22:32:30","modified_gmt":"2013-06-23T22:32:30","slug":"freud","status":"publish","type":"page","link":"https:\/\/li-mac.org\/es\/exhibitions\/permanent-exhibition\/a-clear-unreality\/crossroads-of-daily-life\/freud\/","title":{"rendered":"Freud"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"<p><strong>Dare Dovidjenko<\/strong> <small>(Split, Croacia, 1949)<\/small><br \/>\n1995<br \/>\nAcr\u00edlico sobre trup\u00e1n<br \/>\n90 x 60 cm. <\/p>\n<p><small>(Cortes\u00eda del artista)<\/small><\/p>\n","protected":false},"author":2,"featured_media":17243,"parent":17121,"menu_order":114,"comment_status":"open","ping_status":"open","template":"image.php","meta":{"footnotes":""},"class_list":["post-17267","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/li-mac.org\/es\/wp-json\/wp\/v2\/pages\/17267","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/li-mac.org\/es\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/li-mac.org\/es\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/li-mac.org\/es\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/li-mac.org\/es\/wp-json\/wp\/v2\/comments?post=17267"}],"version-history":[{"count":5,"href":"https:\/\/li-mac.org\/es\/wp-json\/wp\/v2\/pages\/17267\/revisions"}],"predecessor-version":[{"id":17571,"href":"https:\/\/li-mac.org\/es\/wp-json\/wp\/v2\/pages\/17267\/revisions\/17571"}],"up":[{"embeddable":true,"href":"https:\/\/li-mac.org\/es\/wp-json\/wp\/v2\/pages\/17121"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/li-mac.org\/es\/wp-json\/wp\/v2\/media\/17243"}],"wp:attachment":[{"href":"https:\/\/li-mac.org\/es\/wp-json\/wp\/v2\/media?parent=17267"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}