{"id":17269,"date":"2013-06-12T16:35:14","date_gmt":"2013-06-12T16:35:14","guid":{"rendered":"http:\/\/li-mac.org\/?page_id=17269"},"modified":"2013-06-23T18:00:26","modified_gmt":"2013-06-23T18:00:26","slug":"nobody","status":"publish","type":"page","link":"https:\/\/li-mac.org\/es\/exhibitions\/permanent-exhibition\/a-clear-unreality\/crossroads-of-daily-life\/nobody\/","title":{"rendered":"No hay nadie"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"<p><strong>Dare Dovidjenko<\/strong> <small>(Split, Croacia, 1949)<\/small><br \/>\n1989<br \/>\nAcr\u00edlico sobre tela<br \/>\n60 x 100 cm. <\/p>\n<p><small>(Cortes\u00eda del artista)<\/small><\/p>\n","protected":false},"author":2,"featured_media":17247,"parent":17121,"menu_order":112,"comment_status":"open","ping_status":"open","template":"image.php","meta":{"footnotes":""},"class_list":["post-17269","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/li-mac.org\/es\/wp-json\/wp\/v2\/pages\/17269","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/li-mac.org\/es\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/li-mac.org\/es\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/li-mac.org\/es\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/li-mac.org\/es\/wp-json\/wp\/v2\/comments?post=17269"}],"version-history":[{"count":9,"href":"https:\/\/li-mac.org\/es\/wp-json\/wp\/v2\/pages\/17269\/revisions"}],"predecessor-version":[{"id":17517,"href":"https:\/\/li-mac.org\/es\/wp-json\/wp\/v2\/pages\/17269\/revisions\/17517"}],"up":[{"embeddable":true,"href":"https:\/\/li-mac.org\/es\/wp-json\/wp\/v2\/pages\/17121"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/li-mac.org\/es\/wp-json\/wp\/v2\/media\/17247"}],"wp:attachment":[{"href":"https:\/\/li-mac.org\/es\/wp-json\/wp\/v2\/media?parent=17269"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}