{"id":17308,"date":"2013-06-13T10:38:21","date_gmt":"2013-06-13T10:38:21","guid":{"rendered":"http:\/\/li-mac.org\/?page_id=17308"},"modified":"2013-06-23T17:45:43","modified_gmt":"2013-06-23T17:45:43","slug":"untitled","status":"publish","type":"page","link":"https:\/\/li-mac.org\/es\/exhibitions\/permanent-exhibition\/a-clear-unreality\/crossroads-of-daily-life\/untitled\/","title":{"rendered":"Sin t\u00edtulo"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"<p><strong>Dare Dovidjenko<\/strong> <small>(Split, Croacia, 1949)<\/small><br \/>\n2008<br \/>\n\u00d3leo sobre tela<br \/>\n50 x 35 cm. <\/p>\n<p><small>(Cortes\u00eda del artista)<\/small><\/p>\n","protected":false},"author":2,"featured_media":17299,"parent":17121,"menu_order":81,"comment_status":"open","ping_status":"open","template":"image.php","meta":{"footnotes":""},"class_list":["post-17308","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/li-mac.org\/es\/wp-json\/wp\/v2\/pages\/17308","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/li-mac.org\/es\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/li-mac.org\/es\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/li-mac.org\/es\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/li-mac.org\/es\/wp-json\/wp\/v2\/comments?post=17308"}],"version-history":[{"count":8,"href":"https:\/\/li-mac.org\/es\/wp-json\/wp\/v2\/pages\/17308\/revisions"}],"predecessor-version":[{"id":17509,"href":"https:\/\/li-mac.org\/es\/wp-json\/wp\/v2\/pages\/17308\/revisions\/17509"}],"up":[{"embeddable":true,"href":"https:\/\/li-mac.org\/es\/wp-json\/wp\/v2\/pages\/17121"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/li-mac.org\/es\/wp-json\/wp\/v2\/media\/17299"}],"wp:attachment":[{"href":"https:\/\/li-mac.org\/es\/wp-json\/wp\/v2\/media?parent=17308"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}