{"id":21307,"date":"2016-05-25T10:29:37","date_gmt":"2016-05-25T10:29:37","guid":{"rendered":"http:\/\/li-mac.org\/?page_id=21307"},"modified":"2016-06-02T17:29:45","modified_gmt":"2016-06-02T17:29:45","slug":"relief-2","status":"publish","type":"page","link":"https:\/\/li-mac.org\/es\/exhibitions\/temporary-exhibitions\/soft-modernity\/works\/relief-2\/","title":{"rendered":"Relevo"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"<p><strong>Luciano Figueiredo<\/strong> <small>(Brasil, 1948)<\/small><br \/>\n2015<br \/>\nacr\u00edlico sobre tela<br \/>\n130 x 90 cm.<\/p>\n<p><small>(Cortes\u00eda galer\u00eda Leme, Sao Paulo)<\/small><\/p>\n","protected":false},"author":2,"featured_media":21295,"parent":21237,"menu_order":12,"comment_status":"open","ping_status":"open","template":"image.php","meta":{"footnotes":""},"class_list":["post-21307","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/li-mac.org\/es\/wp-json\/wp\/v2\/pages\/21307","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/li-mac.org\/es\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/li-mac.org\/es\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/li-mac.org\/es\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/li-mac.org\/es\/wp-json\/wp\/v2\/comments?post=21307"}],"version-history":[{"count":4,"href":"https:\/\/li-mac.org\/es\/wp-json\/wp\/v2\/pages\/21307\/revisions"}],"predecessor-version":[{"id":21535,"href":"https:\/\/li-mac.org\/es\/wp-json\/wp\/v2\/pages\/21307\/revisions\/21535"}],"up":[{"embeddable":true,"href":"https:\/\/li-mac.org\/es\/wp-json\/wp\/v2\/pages\/21237"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/li-mac.org\/es\/wp-json\/wp\/v2\/media\/21295"}],"wp:attachment":[{"href":"https:\/\/li-mac.org\/es\/wp-json\/wp\/v2\/media?parent=21307"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}