{"id":21310,"date":"2016-05-25T10:46:50","date_gmt":"2016-05-25T10:46:50","guid":{"rendered":"http:\/\/li-mac.org\/?page_id=21310"},"modified":"2016-06-02T17:25:13","modified_gmt":"2016-06-02T17:25:13","slug":"relief-3","status":"publish","type":"page","link":"https:\/\/li-mac.org\/es\/exhibitions\/temporary-exhibitions\/soft-modernity\/works\/relief-3\/","title":{"rendered":"Relevo"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"<p><strong>Luciano Figueiredo<\/strong> <small>(Brasil, 1948)<\/small><br \/>\n2015<br \/>\nacr\u00edlico sobre tela<br \/>\n60 x 60 x 4 cm.<\/p>\n<p><small>(Cortes\u00eda galer\u00eda Leme, Sao Paulo)<\/small><\/p>\n","protected":false},"author":2,"featured_media":21294,"parent":21237,"menu_order":13,"comment_status":"open","ping_status":"open","template":"image.php","meta":{"footnotes":""},"class_list":["post-21310","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/li-mac.org\/es\/wp-json\/wp\/v2\/pages\/21310","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/li-mac.org\/es\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/li-mac.org\/es\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/li-mac.org\/es\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/li-mac.org\/es\/wp-json\/wp\/v2\/comments?post=21310"}],"version-history":[{"count":1,"href":"https:\/\/li-mac.org\/es\/wp-json\/wp\/v2\/pages\/21310\/revisions"}],"predecessor-version":[{"id":21311,"href":"https:\/\/li-mac.org\/es\/wp-json\/wp\/v2\/pages\/21310\/revisions\/21311"}],"up":[{"embeddable":true,"href":"https:\/\/li-mac.org\/es\/wp-json\/wp\/v2\/pages\/21237"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/li-mac.org\/es\/wp-json\/wp\/v2\/media\/21294"}],"wp:attachment":[{"href":"https:\/\/li-mac.org\/es\/wp-json\/wp\/v2\/media?parent=21310"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}