{"id":21312,"date":"2016-05-25T10:53:50","date_gmt":"2016-05-25T10:53:50","guid":{"rendered":"http:\/\/li-mac.org\/?page_id=21312"},"modified":"2016-06-02T17:27:29","modified_gmt":"2016-06-02T17:27:29","slug":"post-itesquema","status":"publish","type":"page","link":"https:\/\/li-mac.org\/es\/exhibitions\/temporary-exhibitions\/soft-modernity\/works\/post-itesquema\/","title":{"rendered":"Post-itesquema"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"<p><strong>Mauro Piva<\/strong> <small>(Brasil, 1978)<\/small><br \/>\n2015<br \/>\ngouache y lapiz de color sobre papel<br \/>\n48,4 x 48,4 cm.<\/p>\n<p><small>(Cortes\u00eda galeria Leme, Sao Paulo)<\/small><\/p>\n","protected":false},"author":2,"featured_media":21296,"parent":21237,"menu_order":15,"comment_status":"open","ping_status":"open","template":"image.php","meta":{"footnotes":""},"class_list":["post-21312","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/li-mac.org\/es\/wp-json\/wp\/v2\/pages\/21312","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/li-mac.org\/es\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/li-mac.org\/es\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/li-mac.org\/es\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/li-mac.org\/es\/wp-json\/wp\/v2\/comments?post=21312"}],"version-history":[{"count":2,"href":"https:\/\/li-mac.org\/es\/wp-json\/wp\/v2\/pages\/21312\/revisions"}],"predecessor-version":[{"id":21323,"href":"https:\/\/li-mac.org\/es\/wp-json\/wp\/v2\/pages\/21312\/revisions\/21323"}],"up":[{"embeddable":true,"href":"https:\/\/li-mac.org\/es\/wp-json\/wp\/v2\/pages\/21237"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/li-mac.org\/es\/wp-json\/wp\/v2\/media\/21296"}],"wp:attachment":[{"href":"https:\/\/li-mac.org\/es\/wp-json\/wp\/v2\/media?parent=21312"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}