{"id":21853,"date":"2017-06-19T11:10:39","date_gmt":"2017-06-19T11:10:39","guid":{"rendered":"http:\/\/li-mac.org\/?page_id=21853"},"modified":"2017-06-19T19:07:08","modified_gmt":"2017-06-19T19:07:08","slug":"best-of-luck-with-the-wall","status":"publish","type":"page","link":"https:\/\/li-mac.org\/es\/exhibitions\/temporary-exhibitions\/the-middle-line\/works\/best-of-luck-with-the-wall\/","title":{"rendered":"Best of luck with the wall"},"content":{"rendered":"<p>El horizonte cambia radicalmente en el video de <strong>Josh Begley<\/strong> al utilizar un punto de vista satelital. Su pel\u00edcula <em>Best of Luck With the Wall <\/em>recorre en 6 minutos hipn\u00f3ticos toda la extensi\u00f3n de la frontera de M\u00e9xico y Estados Unidos. El artista enlaz\u00f3 m\u00e1s de 220.000 im\u00e1genes de Google Maps en donde el l\u00edmite fronterizo se lee como un horizonte socio-pol\u00edtico. <em>Best of Luck\u2026<\/em> fue producida por la periodista Laura Poitras (autora del documental <em>Citizen Four <\/em>sobre Edward Snowden) y su banda sonora est\u00e1 compuesta por Andy Moor de la notable banda anarcopostpunk <em>The Ex. <\/em><\/p>","protected":false},"excerpt":{"rendered":"<p><strong>Josh Begley<\/strong> <small>(Estados Unidos, 1984)<\/small><br \/>\n2016<br \/>\nVideo HD<br \/>\n6:41 min.<\/p>\n<p><small>(Cortes\u00eda del artista)<\/small><\/p>\n","protected":false},"author":2,"featured_media":21830,"parent":21823,"menu_order":5,"comment_status":"open","ping_status":"closed","template":"image.php","meta":{"footnotes":""},"class_list":["post-21853","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/li-mac.org\/es\/wp-json\/wp\/v2\/pages\/21853","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/li-mac.org\/es\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/li-mac.org\/es\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/li-mac.org\/es\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/li-mac.org\/es\/wp-json\/wp\/v2\/comments?post=21853"}],"version-history":[{"count":3,"href":"https:\/\/li-mac.org\/es\/wp-json\/wp\/v2\/pages\/21853\/revisions"}],"predecessor-version":[{"id":21920,"href":"https:\/\/li-mac.org\/es\/wp-json\/wp\/v2\/pages\/21853\/revisions\/21920"}],"up":[{"embeddable":true,"href":"https:\/\/li-mac.org\/es\/wp-json\/wp\/v2\/pages\/21823"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/li-mac.org\/es\/wp-json\/wp\/v2\/media\/21830"}],"wp:attachment":[{"href":"https:\/\/li-mac.org\/es\/wp-json\/wp\/v2\/media?parent=21853"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}