{"id":7893,"date":"2011-12-15T16:04:17","date_gmt":"2011-12-15T16:04:17","guid":{"rendered":"http:\/\/li-mac.org\/wp\/?page_id=7893"},"modified":"2012-12-10T16:58:37","modified_gmt":"2012-12-10T16:58:37","slug":"without-title","status":"publish","type":"page","link":"https:\/\/li-mac.org\/es\/collection\/limac-collection\/jano-cortijo\/work\/without-title\/","title":{"rendered":"Sin t\u00edtulo"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"<p><strong>Jano Cortijo<\/strong> <small>(Per\u00fa, 1973)<\/small><br \/>\n2002<br \/>\nDel arte de ser mujer<br \/>\nInstalaci\u00f3n, diplomas falsos, mesa y silla, dimensiones variables.<\/p>\n<p><small>(Cortes\u00eda del artista)<\/small><\/p>\n","protected":false},"author":2,"featured_media":7889,"parent":1549,"menu_order":414,"comment_status":"open","ping_status":"open","template":"image.php","meta":{"footnotes":""},"class_list":["post-7893","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/li-mac.org\/es\/wp-json\/wp\/v2\/pages\/7893","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/li-mac.org\/es\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/li-mac.org\/es\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/li-mac.org\/es\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/li-mac.org\/es\/wp-json\/wp\/v2\/comments?post=7893"}],"version-history":[{"count":6,"href":"https:\/\/li-mac.org\/es\/wp-json\/wp\/v2\/pages\/7893\/revisions"}],"predecessor-version":[{"id":16168,"href":"https:\/\/li-mac.org\/es\/wp-json\/wp\/v2\/pages\/7893\/revisions\/16168"}],"up":[{"embeddable":true,"href":"https:\/\/li-mac.org\/es\/wp-json\/wp\/v2\/pages\/1549"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/li-mac.org\/es\/wp-json\/wp\/v2\/media\/7889"}],"wp:attachment":[{"href":"https:\/\/li-mac.org\/es\/wp-json\/wp\/v2\/media?parent=7893"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}