Abstraction Accumulation Advertising Anarchism Animal Antiquity Appropriation Architecture Black and White Body Book Car Cement City Clay Cloths Collage Colonization Columns Comic Conflict Construction Container Crime Death Destruction Dots Drawing Earth Edition Exhibition view Fame Family Fiction Figure Flower Flyer Food Furniture Garden Geometry Housing Identity Immigration Installation Institution Interior Jail Landscape Light Lima LiMac Map Mexico Mirror Monochrome Mural Music Newspaper Night Nude Page Painting Performance Peru Photography Photojournalism Politics Portrait Poster Pre-Columbian Protest Psychogeography Public Space Punk Religion Reticle Road Ruin Sculpture Sea Sky Social exclusion Souvenir Space Spain Sports Squat Still life Surrealism Terrorism Text Tree Urbanism Video Void War Water Weapon YouthView all the tags

The Innocence of Animals

Image 14 of 15
The Innocence of Animals

Adrián Villar Rojas (Argentina,1980)
Clay (unfired), cement, burlap, metal, wood
Various dimensions

(Photos © Matthew Septimus)
EXPO 1: New York at MoMA PS1, New York USA

(Courtesy of the artist and Marian Goodman Gallery, New York/ Paris and Kurimanzutto, Mexico City)

Speaking of his work, Villar Rojas says, “What I wanted to do was work as if I was not human. As if the human species didn’t exist anymore. I mean ...

More images

Write a comment