Intervention – MALI

The photographs that make up the series “Intervention MALI” show a record in the Lima Art Museum during its renewal.

The photographer’s gaze into space and works, not far from the way it does so in its work as a photographer commissioned to register artworks, has objectivity and no manipulation. Apparently, it does not “dis-cover” anything.

The accumulation of works in the museum and how they are displayed (or hidden) leaves us with the suspicion of watching the operation or installation of any artist. Each element appears to have been photographed with the intention to be resignified, or constructed by a simple composition, as if it were a still life.

The project title makes complicates this ambiguity. The intervention or alteration of space was made ​​by someone, intentional or accidental, who also recorded it.