Tagcloud

Abstraction Accumulation Advertising Anarchism Animal Antiquity Appropriation Architecture Black and White Body Book Car Cement City Clay Cloths Collage Colonization Columns Comic Conflict Construction Container Crime Death Destruction Dots Drawing Earth Edition Exhibition view Fame Family Fiction Figure Flower Flyer Food Furniture Garden Geometry Housing Identity Immigration Installation Institution Interior Jail Landscape Light Lima LiMac Map Mexico Mirror Monochrome Mural Music Newspaper Night Nude Page Painting Performance Peru Photography Photojournalism Politics Portrait Poster Pre-Columbian Protest Psychogeography Public Space Punk Religion Reticle Road Ruin Sculpture Sea Sky Social exclusion Souvenir Space Spain Sports Squat Still life Surrealism Terrorism Text Tree Urbanism Video Void War Water Weapon YouthView all the tags

More about There Are no Straight Lines in Nature

There Are no Straight Lines in Nature
Back

The tension between the horizon and its representation manifests itself in There Are no Straight Lines in Nature where Sandra Gamarra (Peru, 1972) appropriates several classic landscapes to paint them on mirror plinths. Different lines of horizon intersect and each work expands their frame. Through this illusion, Gamarra questions the format and the structure of landscapes and puts bidimensionality into a sculptural form.